000 / THE ARCHITECTURE OF MOTION & LIGHT
Frames hold stories in motion.
Every cut, composite layer, and color grade records a deliberate intention—from the raw energy of production to the refined rhythm of the final edit.
Peel back the finished grade with your cursor or touch to uncover the raw cinematic layer beneath, tracing how light, pacing, and precision synthesize into visual rhythm.
ROLL INTO THE EDIT001 / A VISUAL PRACTICE IN MOTION
Make it
move.
An independent editor arranging motion, rhythm and the feeling that lingers after the screen goes dark.
ROLL INTO THE EDIT002 / THE TIMELINE
The work, arranged
as an edit.
Move the playhead across a few cuts from the reel. Each frame opens to the full project.
DRAG THE PLAYHEAD / OR SELECT A CLIP
003 / CONTACT SHEETS — PHOTOGRAPHY
Quiet frames
from louder places.
A study of light, texture, and the moment just before the cut.
004 / CINEMATOGRAPHY & RECORDED FOOTAGE
Motion captured
through the glass.
Camera-recorded live footage — kinetic camera movement, organic textures, and the atmosphere of raw environmental light.
005 / GRAPHIC DESIGN & POSTERS
Graphic architecture &
typographic systems.
Experimental posters, Swiss grids, editorial cover treatments, and expressive brand identities.
006 / THE PERSON BEHIND THE PIXELS
Chasing
the light.
I am Prateek Pranjal, a creative designer making moving images, still images, and the visual glue in between.
- TOOLKIT
- After Effects, Premiere Pro, Photoshop, Illustrator, DaVinci Resolve, Blender, Cinema 4D, Figma.
- APPROACH
- Start with the feeling. Find the rhythm. Keep the weird bit that makes it yours.
- NOW
- Open to thoughtful collaborations, from first sketch to final export.
007 / LET'S MAKE A SIGNAL